If our last Fantasy Blogosphere post was the most eclectic yet, then this is the most abundant. Chock full of review goodness, this post features reviews of books by Robin Hobb, David Anthony Durham, Ken Scholes, George R.R. Martin, Guy Gavriel Kay, Daniel Abraham, James Barclay and Terry Pratchett, and a triage of Jim Butcher reviews from NextRead. Pat’s got a fresh interview with Joe Abercrombie, and there’s exciting news all around; its looking like we’re really going to see A Game of Thrones as an HBO series, R.A. Salvatore signs for 6 additional Forgotten Realms books, and the movie rights for Brandon Sanderson’s Mistborn trilogy have been optioned. What a great time to be a fantasy fan!
Happy New Year! With everyone either on vacation or still in hangover mode, the fantasy book blogosphere is expectantly slower than usual. Still, we’ve got a few reviews including books by Scott Lynch and Steven Erikson, along with a review of the classic first novel in George R.R. Martin’s ‘A Song of Ice and Fire’ series, A Game of Thrones. Cheers!
Okay, so I want to make sure we’re clear before diving in: this is not a list of the best fantasy books released in 2009, but rather the top books read and reviewed here at Fantasy Book News in 2009. That said, there are some newer books, and some classics, but overall this is an elite list of fantasy novels that any avid reader should check out. And away we go.
A Game of Thrones by George R.R. Martin
While this series is going on fifteen years, I gave a re-read to the first novel in the Song of Ice and Fire series in 2009, in audio book format. The book still has the same enchanting effect as the first time I read it, and is still the standard to which I compare most other fantasy books, and absolutely any epic fantasy books. Check out the full review of A Game of Thrones.
Red Seas Under Red Skies by Scott Lynch
The second book in Lynch’s seven book Gentlemen Bastards series delivered what many creative people struggle to accomplish time and time again: give the audience a better experience than the original. Red Seas Under Red Skies upped the stakes from The Lies of Locke Lamora, and hit ended up hitting a grand slam. Read the full review of Red Seas Under Red Skies.
The Name of the Wind by Patrick Rothfuss
This whopping freshman fantasy novel by Rothfuss completely transports you to another world, which is one of the goals that every fantasy novel aspires to. Believe me, I read most of it while lounging poolside in Araxa, Brazil, and I can’t tell you how many times I forgot my beautiful surroundings for the world that Rothfuss creates. Check out the full review of The Name of the Wind.
The Last Unicorn by Peter S. Beagle
The quintessential fairy tale, The Last Unicorn is simply a beautiful story. Get lost in a world of fantasy and magic, complimented with a fantastically original plot and a genuine sense of humor. Read the full review of The Last Unicorn.
Mistborn by Brandon Sanderson
Mistborn is an absolutely beautiful novel. Its got everything that a fantasy reader looks for: insanely original devices, characters you can identify with, tons of action, and wholesome undercurrents. We have a full review of Mistborn over here.
The fantasy blogosphere is brimming with reviews of The Magicians, Leviathan, Hero of Ages and more this week. Plus, is HBO ready to start filming the pilot for A Game of Thrones? Check out the news update. And as always, an new episode of The Guild.
From Sanderson to Jordan to Hobb, we’ve got a few interesting reviews this week. The review of The Dragon Keeper over at Elitist is particularly harsh. I’m going to have to read this book to form my own opinion, because after just reading Ship of Magic, its hard to believe that Hobb could swing so far from one extreme to the other.
The fantasy book world is all a buzz with Joe Abercrombie’s latest novel, Best Served Cold. Abercrombie even grabbed commentary from the great one, George R.R. Martin, which is like giving your book’s marketing campaign a shot of nitrous. Vroom vroom!
Before you read the review of Robin Hobb’s most recent publication, Dragon Keeper, beware: it contains spoilers for the previous nine books. I found out the hard way, and let the author know how I felt in the comments section.
What are your feelings on reviews that give away plot details? Do you prefer reviews with plot summaries, or would you rather have a review detail all the aspects possible about the book without giving away any of the story? Let me know!
Book review of George R.R. Martin’s A Game of Thrones
It’s not only a pleasure to revisit A Game of Thrones, the first book of George R.R. Martin’s A Song of Ice and Fire series, its somewhat of a necessity. With each edition of the growing series averaging between seven-hundred and one-thousand pages, and Martin going on four years between the release of the fourth and fifth novels, its getting a little tough to remember the details of the first novel which was released in 1996. And a growing series it is. The fourth and fifth novels were originally planned as one, but when they grew too large for Martin’s publisher to release as one edition, it was decided the fourth book would be split in two, pushing the total for the series from six books to seven. If you’re not a fan of truly epic fantasy, you can’t say I didn’t warn you: A Game of Thrones defines epic.
It’s also worth noting that for this revisit to the A Game of Thrones and the seven kingdoms, I’ve chosen to go the audiobook route. I find that an audiobook is the perfect format to revisit a book that I’ve already read. I don’t typically re-read books – there’s just simply too much good stuff out there – but an audiobook presents not only an alternative method (I can listen while working, for instance), but an entirely different creative presentation. Reader Roy Avers does a fantastic job of bringing the characters in A Game of Thrones to life, adding a new dimension to the novel, and resurrecting subtleties of character’s personalities that I may have missed the first time around. That said, this review is of the book itself, not strictly the audiobook.
George R.R. Martin’s A Game of Thrones is the quintessential genre novel. It breaks the once thought of boundaries of what an epic fantasy can and should be. Its got an ensemble of poignant moments, matched with robust dialogue. While thick and twice the size of some of the The Lord of the Rings novels, to set a basis for comparison, I was not once left feeling like the pace could be picked up a bit, as I was more than once during Tolkien’s series. While lengthy, every bit of the juicy story in A Game of Thrones is worth your time. Parents should beware, this is not a novel for the children, or the faint of heart. There are adult themes, and a few gruesome moments. However, Martin does not go into extreme detail when the opportunity presents itself.
Set in a world where the seasons are unbalanced, and it has been Summer for much too long, A Game of Thrones takes place on the brink of what the elders believe to be the long winter, which is approaching at a sluggish pace. This land has everything one could ask for in an epic fantasy, from the frost of The Wall and Castle Winterfell in the North, the islands in the East and the West, to the sun-streaked lands of Dorne in the South. Much of A Game of Thrones takes place in the uncharted Summer lands, where the Dothraki horse people roam free. The meat of the novel take place in the heart of Westeros, in the midlands, in the castles of the regal. If high court intrique is your taste, you’ll plenty here in A Game of Thrones.
While the characterization, dialog and setting development shine, the format of this novel is perhaps what is the most brilliant aspect of A Game of Thrones. Martin’s ability to write entire chapters from the point of view of such a vast variety of perspectives is what truly amazes me. He runs the gamut: the middle-aged “king in the north” faced with a proposition of a job upgrade versus more time with his family; his bastard son of fifteen; his wife, the confident, intelligent, strong woman; their son, a boy of nine; two of their daughters, twelve and ten; another thirteen year old girl; an imp; the list goes on an on. The dynamic of seeing a story from this many directions is compelling. The realism that is brought to a tale when an author can tell it in this fashion, and truly, and I mean truly, get into the skin of each of these characters, is something I doubt will happen ever again in fantasy fiction. A Game of Thrones is just simply unmatched.
The end product of an author having the ability to literally transform himself into so many well-established characters is a novel as multi-dimensional as A Game of Thrones. You begin to see the people in this world as real human beings with real problems and real beliefs. The story takes on not one, but a vast variety of plots and sub-plots, each of them more consuming than the next. The way the story lines diverge and inevitably cross paths again weaves a tale that is simply pure genius.
For this, I can give nothing but my best rating possible to A Game of Thrones. George R.R. Martin has truly given us a world and people worth believing. Isn’t this the reason we all started reading fantasy novels so many years ago?
You must be logged in to post a comment.